Top 5 Horror Movie's Of All Time

Here are five top horror movies in Hollywood, based on critical acclaim and audience reception: The Shining (1980) – Directed by Stanley Kubrick and based on Stephen King's novel, this psychological horror film features Jack Nicholson's iconic performance as a man slowly driven insane in a haunted hotel. The Shining is a 1980 psychological horror film[7] produced and directed by Stanley Kubrick and co-written with novelist Diane Johnson. It is based on Stephen King's 1977 novel of the same name and stars Jack Nicholson, Shelley Duvall, Danny Lloyd, and Scatman Crothers. The film presents the descent into insanity of a recovering alcoholic and aspiring novelist (Nicholson) who takes a job as winter caretaker for a haunted resort hotel with his wife (Duvall) and clairvoyant son (Lloyd). Production took place almost exclusively at EMI Elstree Studios, with sets based on real locations. Kubrick often worked with a small crew, which allowed him to do many takes, sometimes to the exhaustion of the actors and staff. The new Steadicam mount was used to shoot several scenes, giving the film an innovative and immersive look and feel. The film was released in the United States on May 23, 1980, and in the United Kingdom on October 2 by Warner Bros. There were several versions for theatrical releases, each of which was cut shorter than the preceding cut; about 27 minutes was cut in total. Reactions to the film at the time of its release were mixed; Stephen King criticized the film due to its deviations from the novel. The film received two controversial nominations at the first Razzies in 1981—Worst Director and Worst Actress—the latter of which was later rescinded in 2022 due to Kubrick's alleged[8] treatment of Duvall on set. Critical response to the film has since become favorable. Frequently cited as one of the best horror films of all time, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant" in 2018.[9] A sequel titled Doctor Sleep based on King's 2013 novel of the same name was adapted to film and released in 2019. Hereditary (2018) – Directed by Ari Aster, this supernatural horror film is known for its unsettling atmosphere, complex family dynamics, and terrifying moments. It follows a family as they deal with tragedy and uncover dark secrets. Hereditary is a 2018 American psychological horror[4] film written and directed by Ari Aster in his feature directorial debut. Starring Toni Collette, Alex Wolff, Milly Shapiro, Ann Dowd, and Gabriel Byrne, the film follows a grieving family tormented by sinister occurrences after the death of their secretive grandmother. Aster's work on short horror films, most notably The Strange Thing About the Johnsons, attracted the attention of A24, who greenlit Hereditary as his first feature film. Aster conceived it as primarily a family drama consisting of two distinct halves. Filming took place in Utah in 2017, with most indoor scenes shot on custom built sets on a soundstage to give the film a dollhouse aesthetic. Hereditary premiered at the Sundance Film Festival on January 21, 2018,[5] and was theatrically released in the United States on June 8, 2018.[6] The film received positive reviews and made over $87 million, becoming A24's highest-grossing film at the time,[7][8] until the release of Everything Everywhere All at Once in 2022. The Exorcist (1973) – Directed by William Friedkin, this classic horror movie tells the story of a young girl possessed by a demon, leading her mother and a priest to confront the evil force in an unforgettable battle of good ve evil. The Exorcist is a 1973 American supernatural horror film directed by William Friedkin from a screenplay by William Peter Blatty, based on his 1971 novel. The film stars Ellen Burstyn, Max von Sydow, Jason Miller, and Linda Blair, and follows the demonic possession of a young girl and the attempt to rescue her through an exorcism by two Catholic priests. Blatty, who also produced, and Friedkin, his choice as director, had difficulty casting the film. Their choice of relative unknowns Burstyn, Blair, and Miller, instead of major stars, drew opposition from executives at Warner Bros. Principal photography was also difficult. Many cast and crew were injured, some died, and unusual accidents delayed shooting. Production took twice as long as scheduled and cost almost three times the initial budget; the many mishaps have led to a belief that the film was cursed. The Exorcist was released in 25 theaters in the United States on December 26, 1973. Reviews were mixed, but audiences waited in long lines during cold weather; the sold-out shows were even more profitable for Warner Bros., who had booked it into those theaters under four wall distribution rental agreements, the first time a major studio had done that. Some viewers suffered adverse physical reactions, fainting or vomiting to shocking scenes such as a realistic cerebral angiography. Many children were allowed to see it, leading to charges that the Motion Picture Association of America (MPAA) had accommodated the studio by giving the film an R rating instead of an X rating to ensure the troubled production its commercial success. Several cities attempted to ban it outright or prevent children from attending. At the end of its original theatrical run, the film grossed $193 million, and has a lifetime gross of $441 million with subsequent re-releases. The cultural conversation around the film helped it become the first horror film to be nominated for the Academy Award for Best Picture, as well as nine others. Blatty won Best Adapted Screenplay, while the sound engineers took Best Sound. It has had several sequels and was the highest-grossing R-rated horror film (unadjusted for inflation) until 2017's It. The Exorcist significantly influenced pop culture,[3][4] and several publications regard it as one of the greatest horror films ever made. In 2010, the Library of Congress selected the film for preservation in the United States National Film Registry as being "culturally, historically, or aesthetically significant".[5] Get Out (2017) – Directed by Jordan Peele, this social horror film combines elements of psychological and thriller genres with sharp commentary on race and privilege. It tells the story of a Black man who visits his white girlfriend's family and uncovers disturbing secrets. Get Out is a 2017 American psychological horror film written, co-produced, and directed by Jordan Peele in his directorial debut. It stars Daniel Kaluuya, Allison Williams, Lil Rel Howery, LaKeith Stanfield, Bradley Whitford, Caleb Landry Jones, Stephen Root, Catherine Keener and Betty Gabriel. The plot follows a young black man (Kaluuya), who uncovers shocking secrets when he meets the family of his white girlfriend (Williams). Principal photography began in February 2016 in Fairhope, Alabama, then moved to Barton Academy and the Ashland Place Historic District in Mobile, Alabama. The entire film was shot in 23 days. It premiered at the Sundance Film Festival on January 23, 2017, and was theatrically released in the United States on February 24, 2017, by Universal Pictures. The film received critical acclaim for its screenplay, direction, acting, and social critiques. It was a major commercial success, grossing $255 million worldwide on a $4.5 million budget, with a net profit of $124.3 million, making it the tenth-most profitable film of 2017.[2] It was chosen by the National Board of Review, the American Film Institute, and Time as one of the top ten films of the year. It won many accolades, including the Academy Award for Best Original Screenplay for Peele at the 90th Academy Awards, with additional nominations for Best Picture, Best Director and Best Actor (Kaluuya). It also earned five nominations at the 23rd Critics' Choice Awards, two at the 75th Golden Globe Awards and two at the 71st British Academy Film Awards. Get Out has been cited by critics as one of the best films of the 21st century.[ A Nightmare on Elm Street (1984) – Directed by Wes Craven, this slasher film introduced Freddy Krueger, a terrifying villain who haunts and kills teenagers in their dreams, blending supernatural horror with slasher elements. A Nightmare on Elm Street is a 1984 American supernatural slasher film written and directed by Wes Craven and produced by Robert Shaye. It is the first installment in the A Nightmare on Elm Street franchise and stars Heather Langenkamp, John Saxon, Ronee Blakley, Robert Englund as Freddy Krueger,[6][7] and Johnny Depp in his film debut. The film's plot concerns a group of teenagers who are targeted by Krueger, an undead child killer who murders teenagers through their dreams, as retribution against their parents who burned him alive. Craven filmed A Nightmare on Elm Street in Los Angeles on an estimated budget of $1.8 million.[3] It was one of the first films produced by New Line Cinema, who by that point mostly distributed films, leading the company to become a successful mini-major film studio[9] and earning it the nickname "The House that Freddy Built". The film is credited with carrying on many tropes found in low-budget horror films of the 1970s and 1980s, originating in John Carpenter's Halloween (1978), including the morality play that revolves around sexual promiscuity in teenagers resulting in their eventual death, leading to the term "slasher film".[10][11] Critics and film historians state that the film's premise is the struggle to define the distinction between dreams and reality, manifested by the lives and dreams of the teens in the film.[12] Later critics praise the film's ability to transgress "the boundaries between the imaginary and real",[13] toying with audience perceptions.[14] A Nightmare on Elm Street was released on November 9, 1984, in limited theaters until its nationwide theatrical release on November 16, 1984, and grossed $57.1 million worldwide.[4][5] The film received critical acclaim upon its release, and has since been considered to be one of the greatest horror films ever made. In 2021, A Nightmare on Elm Street was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[15] The film spawned a franchise consisting of six sequels, a television series, a crossover with Friday the 13th, various other merchandise, and a remake of the same name.[16][10] The film was followed by A Nightmare on Elm Street 2: Freddy's Revenge (1985).